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Day 247: Emergent Writing Stages and What They Reveal

  • Writer: Brenna Westerhoff
    Brenna Westerhoff
  • Dec 14, 2025
  • 4 min read

"IWTTOTHEPRKWMIDG"


Lucas handed me his paper proudly. His mother looked horrified. "He's five and can't even write words!" But I saw something beautiful - a child who understood that writing carries meaning, that letters represent sounds, and that his thoughts could become permanent through marks on paper. His "I went to the park with my dog" revealed more about his literacy development than any perfectly copied sentence could.


Emergent writing isn't failed attempts at real writing - it's the developmental journey every writer takes. These stages reveal children's understanding about how print works, and they're far more sophisticated than most adults realize. When we understand these stages, we stop correcting and start celebrating the incredible cognitive work children are doing.


The scribbling stage looks like meaningless marks, but it's conceptually profound. When two-year-old Emma filled pages with loops and lines then "read" me her grocery list, she understood that marks on paper carry meaning. She knew writing existed, even if she didn't know how it worked. That's huge conceptual understanding.


But here's what fascinated me: cultural scribbles differ. Children whose parents write in Arabic make different scribbles than those exposed to English. Chinese-exposed children make box-like scribbles. Kids are already internalizing script properties before they know any actual letters. Their scribbles reveal which writing system they're preparing for.


The letter-like forms stage shows incredible pattern recognition. Kids create symbols that look like letters but aren't - vertical lines with circles, crossed lines, curved marks. They've abstracted the concept that writing consists of repeated symbols with specific features. When Maya created an entire alphabet of made-up letters, she was showing she understood the systematic nature of writing.


Mock letters reveal rule understanding. Children learn English letters don't have more than three repetitions, so they write "ABBGTT" but never "AAAA." They've internalized constraints they can't articulate. When David wrote "XQZPTK" and told me it said "dinosaur," he knew letters make words, even if he didn't know which letters or how.


The random letter stage isn't random at all. Kids use real letters but without sound correspondence - "BKTMR" for "I love you." They understand that words are made of letters, that writing goes in lines, that there's space between words. They're showing every concept except letter-sound matching.


Letter-name writing blew my mind when I understood it. Kids write "YR" for "wire" because Y sounds like "why" and R sounds like "are." They're using letter names as sounds, showing sophisticated phonological awareness. When Angela wrote "RUDF" for "Are you deaf?" she was brilliantly using the alphabet as a sound system.


The phonetic spelling stage reveals everything about phonological processing. "WNT" for "want," "HAPY" for "happy," "BUTFL" for "beautiful." Kids are mapping sounds to letters, just not conventional mappings. Every "misspelling" is actually a window into their sound processing.


Initial consonant representation is universal. Almost all children start by writing only first sounds - "D" for "dog," "M" for "mom." Then ending sounds appear - "DG" for "dog." Vowels come last. This sequence happens across languages and cultures, suggesting it's developmentally hardwired, not taught.


The transitional stage shows memory development. Kids remember some words conventionally ("the," "and") while inventing others. When Marcus wrote "I WNT TO the PRK," he showed he was memorizing high-frequency words while still constructing others phonetically. Two systems running simultaneously.


Conventional writing doesn't arrive all at once. Kids might spell correctly in familiar contexts but revert to phonetic spelling when challenged. Tired third-graders write like kindergarteners. Stressed conventional spellers become phonetic. Development isn't linear; it's conditional.


The message-over-mechanics principle changed my teaching. Young children prioritize meaning over convention. When Sophia wrote "MIKTLME" (My cat likes to eat mice), she communicated perfectly, just unconventionally. Correcting spelling at this stage teaches that convention matters more than communication - the opposite of what we want.


Genre affects developmental stage. The same child might write conventionally in familiar formats (lists, labels) but phonetically in stories. When kids regress in narrative writing, they're not going backward - they're prioritizing complex meaning over simple convention.


Bilingual writing development fascinated me. Children sometimes write phonetically using sounds from their stronger language. "ESKUL" for "school" from Spanish speakers makes perfect sense. They're not confused; they're resourcefully using their full linguistic repertoire.


The revelation about drawing-writing relationship transformed my practice. Children who draw detailed pictures often write less developed text and vice versa. They're using their stronger system to carry meaning. When we separate drawing from writing, we remove scaffolding some children need.


Assessment through writing stages beats standardized tests. A five-minute writing sample reveals more about literacy development than hours of testing. When I see "I LK MI TGR" (I like my tiger), I know exactly where that child is developmentally and what they need next.


Digital writing is creating new stages. Kids who type before handwriting show different patterns. Autocorrect and spell-check create writers who attempt complex words they'd never try by hand. Technology isn't disrupting development; it's creating new pathways.


Parent education about stages prevented damage. When parents understand "ILUVYU" is developmentally perfect for four-year-olds, they stop correcting and start celebrating. When they see progression from scribbles to letters to sounds, they recognize development instead of demanding convention.


Tomorrow, we'll explore building literacy from birth. But today's truth about emergent writing is profound: every "mistake" in children's writing is actually evidence of sophisticated thinking about how print works. When we read children's writing through a developmental lens instead of a conventional one, we see brilliance where others see errors. These stages aren't problems to fix but windows into understanding that guide our teaching.

 
 

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